In the past, Shotty has had outside input into his craft ( Deadmau5, Jay-Z, Ty Dolla etc.), so the results of a completely independent project are welcomed as we get lost inside the brain of a mad man from Manchester.įor full impact, the project requires the listener to pay attention for more than 5-seconds but with Horroh taking the reins as producer for the first time, there is loads of stimulus to keep you thirsting for the next couplet to move the story along. Without giving too much away, his Tarantino approach of shifting back and forth in time, bridging different character perspectives and crafting a narrative so vivid that you can hear the blood splatter on the pillows is a feat that few could achieve. If you spend any amount of time with crime podcasts like Serial, this 20-minute audio film will be a masterpiece that ranks at the top of your Repeat lists. Shotty spends the project convincingly voicing all of the different characters while triple-timing and slow-flowing his way through the drama as it unfolds. The project follows a bank teller with a gambling debt and a brother-in-law with a plan to capitalize in every way possible. His latest project TELLER is a stark reminder to fans and critics alike that when this Mancunian spitter escapes his cage, there’s hell to pay. Watch below.Shotty Horroh, Manchester, England (Photo: Rick Charles)īank robberies, homicides, police chases - these are just a small sampling of what Shotty Horroh has been up to since leaving his Sony Music deal in search of artistic freedom. The video showcases Shotty’s rhythmic cadence paired with moody imagery of his hometown of Manchester, United Kingdom. The first single, ‘Shudehill,’ came out with a bang, amassing over 185K YouTube views in only a few short weeks. And that’s how it’ll be from now till the end of time.” For years I became Shotty Horroh for safety. “This is the first time in my career I’m showing people Adam. As a Mancunian, that sound just resonates more than anything else” he says. “Back home, rock and roll’s always been working class music. Salt of The Earth was produced by Shotty Horroh, Patrick “P” McKenzie and Jules Lynch at PMCK Studios & OnlyReal Entertainment in Toronto, it was mixed by engineer Patrick “P” Mckenzie with assistance by Brendon “Stretch” McDonald in Toronto, and mastered by Tim Young at Metropolis Mastering in the UK. On songs such as ‘Shudehill,’ ‘Alien’ and ‘Dirty Old Town,’ Horroh digs deep into the reality and rubbish of modern life: at times passionate, aggressive and intense, others heartbreaking and tender. When a guitar broke out one night in practice, the kernels of the album, Salt of The Earth, began to pop, and what emerged was the sound of Shotty Horroh’s musical roots. On Salt of the Earth, Shotty Horroh, born Adam Rooney, arrives like the fire-breathing love child of Liam Gallagher, Alex Turner and Sid Vicious: spilling the true blood of Manchester’s council estates, snarling at a system built to hold him down atop crunchy, melodic riffs it’s the sound of a nation - indeed, a world - in crisis, told by its prodigal son. Today, Shotty Horroh announces his forthcoming debut album ‘Salt of The Earth’, to be released October 12, via Sony Music Entertainment Canada Inc.
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